Nothing bores Dana more than her job as a guard in an Egyptian museum. But when she falls into a sarcophagus with undercover investigator Nils, she suddenly finds herself in the investigation of the suspected art dealer Johannes Brecht. To make matters worse, she stumbles across a corpse in Brecht's garden, which suddenly disappears again. Chaos reigns and Nils has to trust Dana, because she has become indispensable to him...

A large chemical company in southern Germany is experiencing strange glitches in its data processing. A hacker has infiltrated the computer system and, for example, ordered 9,999 rhesus monkeys instead of 100, or had 500 marks transferred to all the secretaries. A prankster, perhaps, but still dangerous. CEO Korten hires private detective Selb from Mannheim to investigate the case.

A well documented re-enaction of the July 20th, 1944 assassination attempt against Hitler, aka Operation Valkyrie.

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A crime comedy directed by Peter Weck. The movie follows "Geliebte Gegner" (1998).

Spring 1945: the Allies are outside Hamburg. In front of a movie theater, Lena Brücker meets Hermann Bremer, a marine assigned to the 'final battle on the home front'. After a night of love, Lena offers to hide the young man in her apartment during the last days of the war. This marks the beginning of a life-threatening love adventure for both of them, which they must keep secret from the rest of the world. While Lena blossoms over the next few weeks, Hermann suffers from his confinement and the constant fear of being discovered. Nevertheless, Lena will not tell her lover that the war is over so that she can spend as many days as possible with him on their shared 'mattress island' while everything changes outside.

England, 19th century: Seth Pilaster runs one of the most influential banking houses in the kingdom. When Hugh Pilaster, the capable and talented youngest member of the family, realizes that he has no chance against his less talented cousin on the career ladder due to family circumstances, he tries to drown his frustration in the dive bars of London's working-class districts. There he falls in love with poor Maisie. However, as he sees no prospects for either his professional future or his love for Maisie, he first goes to America, only to return six years later as a successful banker. To make matters worse, Maisie is now married to Hugh's best friend and the balance of power has also changed fundamentally.

The five acting students have not seen each other for 36 years. Now they face each other again and look back on the past together. What experiences have they had? What were their successes? What would they rather have done without?

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Judith, an investigative journalist, begins to unravel a murder mystery that implicates one of her current lovers. When she checks out a peep-show business on the seedy side of Hamburg as part of the investigation, she runs into a former boyfriend who used to be a psychiatrist but is now an arms dealer. Judith is lured back into his fold, cheating on her current lovers, one of whom is also a shrink. Despite her profession, or perhaps because of it, Judith tends to blend fantasy and reality, so small wonder she is attracted to psychoanalysts. But, two shrinks and a murder prove more than Judith can handle. 　　"Valie Export's third feature is an anti-romance in which the heroine, oscillating between two relationships, 　　gradually discovers that both are impossible, not because the subjective processes of "love" are defective, 　　but because the objective, social matrix in which both her male lovers operate is corrupt, immoral, murderous: 　　in this film, the male world and its power structures cancel the possibility of love beyond the matter of sexuality, 　　that is the objectification of love. Export makes use of techniques drawn from her earlier experimental cinema, 　　video and conceptual photography to expand the possibilities of narrative feature filmmaking and to disintegrate 　　some of its overdetermined conventions." 　　Video control in subway stations and in street traffic, tapes and cameras are very important 　　for the structure of the film. Mediocrity, hypocrisy and violence are the film's main themes. 　　Valie Export deals with them on private, social and media levels, adhering to the techniques 　　of video avant-garde.